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avec StyLe 06:35
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Prayer 03:30
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Dur trac Mec 14:54
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about

Baptiste Boiron - Soprano, alto & tenor saxophones
Bruno Chevillon - Double bass
Frédéric Gastard - Bass saxophone

All music composed and arranged by Baptiste Boiron
at Centre d’Art de Kerguéhennec, Bignan, France, except
#5 by Duke Ellington, #11 by Keith Jarrett & #14 by John Coltrane.
Recorded, mixed and mastered by Fred Woff.
Cover photo by Baptiste Boiron.

credits

released February 9, 2021

It is during a residency from February to April 2020 at the Domaine de Kerguéhennec, in Brittany, that saxophonist and composer Baptiste Boiron composed and created the repertoire of the trio “Là”.

As a saxophonist, Baptiste Boiron has been navigating between jazz and contemporary music that he studied with Jean-Yves Bosseur. He has performed with many improvisers as much as he has interpreted the scores of Jean-Sébastien Bach, Claude Debussy, Edgard Varèse, Georges Aperghis and many others ...

From the first track, our ears are caught by the superposition of ostinatos and proposals, as much as by the polyphonic abundance and the multiplication of modes of play, conventional or alternative. This diversity is only matched by the multiplicity of writing processes emanating from an artist whose pen, like saxophones, testifies to a long experience in the classical and contemporary field. These processes are relayed here by his two fellow musicians who, in addition to the spaces left to their own initiatives as improvisers, have contributed to the completion of these scores in which the boundary between the premeditated and the ‘impromptu’ blurs.

The repertoire – all originals, except for three titles – is dedicated to various artists (musicians or not, "who helped me build myself" says the composer) whose names are only delivered to our perspicacity in the form of anagrams. They say something more about this music where the narrative qualities and emotion show through beautiful instrumental and compositional techniques.

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Ayler Records France

Founded in 2000 in Sweden, Ayler Records has gained recognition among Free Jazz fans by releasing both archive and contemporary recordings documenting the American, Scandinavian and French Free Jazz scenes.

In 2009, Ayler Records moved to France and has since opened the catalogue to recordings in less direct relationship with the Free Jazz canon, while remaining faithful to its original spirit.
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