Get all 162 Ayler Records releases available on Bandcamp and save 70%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Perpetual Motion, Sequence XI (Single), Hymne d'automne, Silence was pleased, Arashiyama, Slow Cascade of Tears (2022 Remix), Loving Highsmith, Murs absurdes, and 154 more.
1. |
La route
04:17
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2. |
Promenade nocturne
03:36
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3. |
La marmite
02:58
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4. |
Le karaoké
03:06
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5. |
La panne
01:29
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6. |
Le garage
02:21
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7. |
Le casino
03:38
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8. |
Vénilia
01:46
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9. |
Entre deux ailes
02:55
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10. |
Le journal du centre
03:29
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11. |
Minute papillon
03:14
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Ayler Records France
Founded in 2000 in Sweden, Ayler Records has gained recognition among Free Jazz fans by releasing both archive and
contemporary recordings documenting the American, Scandinavian and French Free Jazz scenes.
In 2009, Ayler Records moved to France and has since opened the catalogue to recordings in less direct relationship with the Free Jazz canon, while remaining faithful to its original spirit.
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Mary Halvorson is a genius composer and guitarist who has developed her own musical language, and with Code Girl she has incorporated poetry into that language. Incredible compositions and lyricism (each track is a different kind of poem). Halvorson's playing is as great as usual, and all the other members of the band sound great. Robert Wyatt's singing in particular works extremely well in the tracks he's featured. Highly, highly recommend.
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First,the music of John Coltrane...then the music of Ornette Coleman (RIP) and now the music of Thelonious Sphere Monk (Noel says that Monk's wife,Nelly,used to call him "Melodious Tongue"...hence the title). Strangely,I have stopped thinking of Noel as a musician (odd,I know)...I now tend to think of him in the same breath as Monet or Cezanne...an impressionist without peer,an artist who works in the moment,makes his statement and then moves on...always moving on...it isn't so much the music of Monk that is important here (although I think he was both the greatest jazz composer and interpreter...a matter of personal taste) but Noel's 'interpretation' of it...just like Monet's water lilies or Cezanne's mountainscapes...it's the quality of the aural brushstrokes and the arrangement of sonic space that I truly admire...
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